Tetrahedron

Izgubljena znanja


Tetrahedron

Lingvisti su predložili značenje zagonetnih znakova:

Dolazak sina tvorca a pet zlatnih točaka predstavljaju sazviježđe Orion.

Orion (constellation)
Klaus Dona - Spiritual Archeologist

 

Tetrahedron - Number 4


Tetrahedron - Tetragrammaton

 

Piramida i svevideće oko


Kuće u Sremskoj Kamenici, sa svevidećim okom na vrhu.

 

 

 

 

 
Svevideće oko na ikonostasu crkve Svetog Nikole u Segedinu i crkve Svetih Arhanđela u Boraču.

 
U novije doba svevideće oko koriste kršćanske crkve, tajna društva kao masoni i drugi.

   
Piramidu sa svevidećem okom su koristile južnoameričke pre-kolumbiske civilizacije.

 

Četiri kerubina - Četiri strane nebeske

I u sva četiri bijaše lice čovječje; u sva četiri zdesna lice lavlje; u sva četiri slijeva lice volujsko; i lice orlovsko u sva četiri. - Ezekiel
prvo biće slično lavu, drugo biće slično juncu, treće biće s licem kao čovječjim, četvrto biće slično letećem orlu. - Otkrivenje

The animals associated with the Christian tetramorph originate in the Babylonian symbols of the four fixed signs of the zodiac: the ox representing Taurus; the lion representing Leo; the eagle representing Scorpio; the man or angel representing Aquarius. In Western astrology the four symbols are associated with the elements of, respectively Earth, Fire, Water, and Air. The creatures of the Christian tetramorph were also common in Egyptian, Greek, and Assyrian mythology. The early Christians adopted this symbolism and adapted it for the four Evangelists as the tetramorph, which first appears in Christian art in the 5th century.

Lamassu

A Lamassu is an Assyrian protective deity, often depicted as having a human head, the body of a bull or a lion, and bird wings.  The prophet Ezekiel wrote about a fantastic being made up of aspects of a human being, a lion, an eagle and a bull.

Tetramorph - Lamassu

 

Simbol Naziv Latinski naziv Grčki naziv Sanskritski naziv Sumero-Babilonski naziv
Ovan Aries Κριός/Kriós Meṣha (मेष) "The Agrarian Worker", Dumuzi
Bik Taurus Ταῦρος/Tauros Vṛiṣabha (वृषभ) "The Steer of Heaven"
Blizanci Gemini Δίδυμοι/Didymoi Mithuna (मिथुन) "The Great Twins" (Castor and Pollux)
Rak Cancer Καρκῖνος/Carcinos Karkaṭa (कर्कट) "The Crayfish"
Lav Leo Λέων/Léōn Siṃha (सिंह) "The Lion"
Djevica Virgo Παρθένος/Parthénos Kanyā (कन्या) "The Furrow"; "The Furrow, the goddess Shala's ear of corn"
Vaga Libra Ζυγός/Zygós Tula (तुला) "The Scales"
Škorpion Scorpio Σκoρπιός/Scorpiós Vṛścika (वृश्चिक) "The Scorpion"
Strijelac Sagittarius Τοξότης/Toxótēs Dhanus (धनुष) Nedu "soldier"
Jarac Capricorn Αἰγόκερως/Aegócerōs Makara (मकर) "The Goat-Fish"
Vodolija Aquarius Ὑδροχόος/Hydrochóos Kumbha (कुम्भ) "The Great One", later "pitcher"
Ribe Pisces Ἰχθύες/Ιchthues Mīna (मीन) "The Tail of the Swallow", later DU.NU.NU "fish-cord"

Platon koristi termin "savršenai godina" kako bi opisao povratak nebeskih tijela na njihove izvorne pozicije.

 

Zodiac

Numbers 5 (4+1) & 13 (12+1)


Zodiac

Knowledge of the Babylonian zodiac is also reflected in the Tanakh, but is the first recorded astrological division into 12 constellations, elaborated on in the Talmuds, books of the Midrash Rabba, and other minor works. E. W. Bullinger interpreted the creatures appearing in the book of Ezekiel as the middle signs of the four quarters of the Zodiac, with the Lion as Leo, the Bull is Taurus, the Man representing Aquarius and the Eagle representing Scorpio. Some authors have linked the twelve tribes of Israel with the twelve signs. Martin and others have argued that the arrangement of the tribes around the Tabernacle (reported in the Book of Numbers) corresponded to the order of the Zodiac, with Judah, Reuben, Ephraim, and Dan representing the middle signs of Leo, Aquarius, Taurus, and Scorpio, respectively.Such connections were taken up by Thomas Mann, who in his novel Joseph and His Brothers attributes characteristics of a sign of the zodiac to each tribe in his rendition of the Blessing of Jacob.

 
Zodiac

 

Christian cross

     
Križ, četiri strane, dvanaest sfera i žrtvovanje Boga na križu

 

Celtic cross

     
Celtic cross, križ, četiri strane u krugu i pleter - Celtic cross

 

Pre-Christian Gods on Crosses

     

     
Pre-Christian Gods on Crosses

 

Polytope - Number 4

1D objekt 2D objekt 3D objekt (Tetrahedron)

Polytope je geometrijski objekt s ravnim stranama. 1D objekt ima najmanje dvije rubnie točake. 2D objekt ima najmanje tri rubnie točake, tri kuta i dvije strane koje se ne mogu okrenuti u 2D prostoru. 3D objekt ima najmanje četiri rubnie točake, četiri kuta, četiri unutrašnje i četiri vanjske strane koje se mogu okrenuti u 3D prostoru. - Polytope

Ništa
1D objekt 2D objekt 3D objekt

1D objekt u 1D prostoru ne može se manifestirati u smislu da ne može imati ni površinu ni volumen. 2D objekt u 2D prostoru može se manifestirati kao ploha, a 3D objekt u 3D prostoru kao volumen.


Četiri točke čine 3D objekt.

Jedna točka svojim gibanjem gradi 1D prostor. Dvije točke su 1D objekt u 1D prostoru a gibanjem grade 2D prostor. Tri točke su 2D objekt u 2D prostoru a gibanjem grade 3D prostor. Četiri točke su 3D objekt u 3D prostoru a gibanjem grade 4D prostor. Četiri točke su najjednostavniji 3D objekt.

točka objekt prostor/vrijeme
1 0 1D
2 1D 2D
3 2D 3D
4 3D 4D

 

Stereografska projekcija


Stereographic projection

 

Stereografska projekcija točke


3D Tetrahedron u 3D kugli

3D kugla

Stereografska projekcija 3D kugle

4D prostor (četiri strane)

 

Quadray coordinates


Quadray coordinates

Quadray koordinatni sustav je sustav koji prikazuje kordinate najjednostavijeg 3D objekta (četiri točke).


Numbers 5 & 13


13 - 5

5 - 13

IN GOD WE TRUST - ONE


In god we trust ONE

In god we trust ONE predstavlja Judejskog YHWH, drugim riječima "arhitekta svemira".


13 zvjezdica, 13 maslinovih grančica, 13 maslina - plodova, 13 strelica i 13 pruga na grbu. (5 x 13)

 

Platonic solid - Number 5

U 2D postoji beskonačno regularnih politopa.
Trokut, četverokut, peterokut, šesterokut...

U 3D ih je samo 5 i nazivaju se platonovim tijelima:
Tetrahedron, Cube, Octahedron, Dodecahedron i Icosahedron

Tetrahedron Cube Octahedron Dodecahedron Icosahedron
Four faces Six faces Eight faces Twelve faces Twenty faces





Simetrije vezane uz broj 5

U 2D pentagon
U 3D Dodecahedron i Icosahedron
U 4D hecatonicosachoron (120 cell) i hexacosichoron (600 cell)
U 5D ih više nema

Sve te simetrije imaju ugrađen zlatni rez (1,618033989).

 

Numbers 5 & 12

Roman dodecahedron


Roman dodecahedron

In Theaetetus, a dialogue of Plato, Plato was able to prove that there are just five uniform regular solids; these later became known as the platonic solids. Timaeus (c. 360 B.C.), as a personage of Plato's dialogue, associates the other four platonic solids with the four classical elements, adding that there is a fifth solid pattern which, though commonly associated with the regular dodecahedron, is never directly mentioned as such; "this God used in the delineation of the universe." Aristotle also postulated that the heavens were made of a fifth element, which he called aithêr (aether in Latin, ether in American English).

Regular dodecahedra have been used as dice and probably also as divinatory devices. During the hellenistic era, small, hollow bronze Roman dodecahedra were made and have been found in various Roman ruins in Europe.


Roman dodecahedron


Magnetizirani tetrahedron


Magnetizirano "svevideće oko" na tetrahedronu.

Moguće značenje

Ovaj atefakt trebamo gledati geometrijski i matematički a opisuje stvaranje, drugim riječima zidanje prostora".

 
Putanja osmica

 

Numbers 4, 13 & 5

4 simbola, 13 struna i 5 zlatnih točaka

3 strune

Tetrahedron s okom koje trepće predstavlja trodimenzionalni objekt.
Oko koje trepće predstavlja 4 točke (monade) koje fluktuiraju (izokreću se iznutra-van).

3 strune

Četiri točke/monade (3D object) šire se u tri prostorne dužine.

3 strune

Gibaju se kružno i upetljavaju.

4 strune

Stvaraju novu fluktuirajuću monadu koja izlazi iz centra.

5 točaka

Na nebeskom planu, novonastala kreacija prikazana je kao sazviježđe orion (or-zlato) koje predstavlja Anu oca svih bogova.

 

Nataraja - Kružno gibanje

Dance of Shiva


A single 30-tetrahedron ring Boerdijk–Coxeter helix within the 600-cell,
seen in stereographic projection.

As the Lord of Dance, Nataraja, Shiva performs the Ananda Tandava (dance of bliss), the dance in which the universe is created, maintained, and dissolved.

He dances within an circular or cyclically closed arch of flames (prabha mandala), which symbolically represent the cosmic fire that in Hindu cosmology creates everything and consumes everything, in cyclic existence or cycle of life.

Did you know?

Shiva’s Nataraja statue, a sacred symbol, occupies a prominent position within the CERN, which is one of the premier research institutes in the world.
On June 18, 2004, a 2m tall statue of the dancing Shiva was unveiled at CERN, the European Center for Research in Particle Physics in Geneva, Switzerland. The statue, symbolizing Shiva's cosmic dance of creation and destruction, was given to CERN by the Indian Government to celebrate the research center's long association with India. Physicist Fritjof Capra further explained in The Tao of Physics: “The Dance of Shiva symbolizes the basis of all existence.”
In this day and age, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art, and modern physics.” According to quantum field theory, the dance of creation and destruction is the basis of the very existence of matter. Modern physics has thus revealed that every subatomic particle not only performs an energy dance but also is an energy dance; a pulsating process of creation and destruction. For the modern physicists then, Shiva’s dance is the dance of subatomic matter, the basis of all existence and of all natural phenomena.”


Dance of Shiva - Cern, Geneva, Switzerland


Dvije točke


Tri točke

Četiri toćke (Cuboctahedron)

 

Jahvinih kola - Cuboctahedron

Numbers 4 & 13


Cuboctahedron

Usred toga nešto kao četiri bića, obličjem slična čovjeku; (6) svako od njih sa četiri obraza, u svakoga četiri krila. (7) Noge im ravne, a stopala kao u teleta; sijevahu poput glatke mjedi. (8) Ispod krila imahu na sve četiri strane ruke čovječje. I svako od njih četvero imaše svoj obraz i svoja krila. (9) Krila im se spajahu jedno s drugim. Idući, ne okretahu se: svako se naprijed kretaše. (10) I u sva četiri bijaše lice čovječje; u sva četiri zdesna lice lavlje; u sva četiri slijeva lice volujsko; i lice orlovsko u sva četiri. (11) Krila im bijahu gore raskriljena. Svako imaše dva krila što se spajahu i dva krila kojim tijelo pokrivahu. (12) I svako iđaše samo naprijed. A iđahu onamo kamo ih je duh gonio. I ne okretahu se idući. (13) A posred tih bića vidjelo se kao neko užareno ugljevlje, kao goruće zublje koje se među njima kretahu; iz ognja sijevaše i munje bljeskahu. (14) Bića trčahu i opet se vraćahu poput munje. (15) Dok ja promatrah, gle: na zemlji uza svako od četiri bića po jedan točak. (16) Točkovi bijahu slični krizolitu, sva četiri istoga oblika; oblikom i napravom bijahu kao da je jedan točak u drugome. (17) U kretanju mogli su ići u sva četiri smjera a nisu se morali okretati.


Jahvinih kola - Cuboctahedron

 

Numbers 4 & 13

Cuboctahedron - Torus


Četiri zatvorene strune - Trinaest polja

Polarizirane točke svojom rotacijom čine zatvorene strune, četiri zatvorene strune kruže okomito jedna na drugu tvoreći cuboctahedron. Na takav način počela se izgrađivati mrežasta struktura prostora, prvo u kuglu a poslije u krafnu tj. torus.

Cuboctahedron


Cuboctahedron

Cuboctahedron

Torus

 

Cuboctahedron

Numbers 4 & 13

Dvanaest sfera se perfektno uklapaju oko jedne sfere. Trinaest sfera se perfektno uklapaju u kuglu. Cuboctahedron sphere packing hes seven planes of symmetry. 7 planes of symmetry emerge from 12 around-1

Povezivanjem centara dvanaest sfera dobivamo cuboctahedron. Cuboctahedron Stereografska projekcija cuboctahedrona - trinaest polja

Cuboctahedron se sastoji od kvadratnih i trokutastim lica. Leonardo da Vinci's illustration in Divina Proportione, 1509 "Vigintisexbasium Planum Vacuum". Torus cuboctahedron - četiri strune, dvanaest plus jedna točka.

Ravnoteža vektora. 12 vertices around 1. All vectors have equal lengths and angles. Metatron's cube Dvanaest savršeno simetričnih linija.

A cuboctahedron is one of the Archimedean solids. A cuboctahedron is roughly what you get if a cube and an octahedron get married. It has the features both of a cube (6 square faces) and a regular octahedron (8 equilateral triangular faces). The cuboctahedron is called an Archimedean solid because it was first discoved by Archimedes in Ancient Greece over 2000 years ago. It was then re-discovered during the Renaissance.

 

Stellated octahedron

Stellated octahedron - Koch cube

 

Vector Equilibrium & Isotropic Vector Matrix

Vector Equilibrium (VE) is the most primary geometric energy array in the cosmos. According to Bucky Fuller, the VE is more appropriately referred to as a “system” than as a structure, due to it having square faces that are inherently unstable and therefore non-structural. Given its primary role in the vector-based forms of the cosmos, though, we include it in this section.

The Vector Equilibrium, as its name describes, is the only geometric form wherein all of the vectors are of equal length. This includes both from its center point out to its circumferential vertices, and the edges (vectors) connecting all of those vertices. Having the same form as a cuboctahedron, it was Buckminster Fuller who discovered the significance of the full vector symmetry in 1917 and called it the Vector Equilibrium in 1940. With all vectors being exactly the same length and angular relationship, from an energetic perspective, the VE represents the ultimate and perfect condition wherein the movement of energy comes to a state of absolute equilibrium.

 

Structure of the Unified Field - The VE and Isotropic Vector Matrix

The most fundamental aspect of the VE to understand is that, being a geometry of absolute equilibrium wherein all fluctuation (and therefore differential) ceases, it is conceptually the geometry of what we call the zero-point or Unified Field — also called the "vacuum" of space. In order for anything to become manifest in the universe, both physically (energy) and metaphysically (consciousness), it requires a fluctuation in the Unified Field, the result of which fluctuation and differential manifests as the Quantum and Spacetime fields that are observable and measurable. Prior to this fluctuation, though, the Unified Field exists as pure potential, and according to contemporary theory in physics it contains an infinite amount of energy (and in cosmometry, as well as spiritual philosophies, an infinite creative potential of consciousness).

Being a geometry of equal vectors and equal 60° angles, it is possible to extend this equilibrium array infinitely outward from the center point of the VE, producing what is called the Isotropic Vector Matrix (IVM). Isotropic means “all the same”, Vector means “line of energy”, and Matrix means “a pattern of lines of energy”. It is this full isotropic vector matrix that can be seen as the infinitely-present-at-all-scales-and-in-perfect-equilibrium geometry of the zero-point Unified Field. Every point in this matrix is a potential center point of a VE around which a condition of dynamic fluctuation may arise to manifest. And as has been stated and is seen in this image, this VE geometry is inherent in this matrix (the green lines comprise the VE):

The IVM also consists of a simple arrangement of alternating tetrahedron and octahedron geometries, as seen in this illustration:

In fact, the VE itself can be seen to consist of a symmetrical array of eight tetrahedons with their bases representing the triangular faces of the VE, and all pointing towards the VE’s center point. (The square faces are the bases of half-octahedron, like the form of the pyramids in Eqypt.)

Given this primary presence of tetrahedons in the VE and IVM, researcher Nassim Haramein sought to determine the most balanced symmetry of them that takes into account the positive and negative polarity of the IVM structure (i.e. “upward” and “downward” pointing tetrahedrons). He identified an arrangement of tetrahedrons in the IVM that, at a scale of complexity one level greater than the primary VE geometry, defines the most balanced array of energy structures (tetrahedons) wherein the positive and negative polarities are equal and without “gaps” in the symmetry. This arrangement consists of 32 positive and 32 negative tetrahedrons for a total 64, and looks like this (notice the underlying VE symmetry as well):

Beyond the VE’s primary zero-phase symmetry, the 64 Tetrahedron Grid, as it is known, represents the first conceptual fractal of structural wholeness in balanced integrity. It is noteworthy that the quantity of 64 is found in numerous systems in the cosmos, including the 64 codons in our DNA, the 64 hexagrams of the I Ching (Chinese Book of Changes), the 64 tantric arts of the Kama Sutra, as well as in the Mayan Calendar’s underlying structure. It appears that the 64-based quantitative value is of primary importance in the fundamental structure of the Unified Field and how that field manifests from its implicate (pre-manifest) order to its explicate (manifest) order, both physically and metaphysically. (See also the relationship between the Analog and Digital realms describing numerically how both the binary 64-based system and the Phi-based Fibonacci system are in intimate coordination.)

 

12 Spheres Around 1

Another way of deriving the geometry of the VE is by using 13 spheres of the same diameter. Using one sphere as the center point, we can then pack twelve spheres around this “nucleus” sphere, as seen in the illustration below. Given that the diameter is the same for all of the spheres, the centers of each sphere will be equidistant from all of their adjacent neighbors, including the center one. The lines connecting their centers are the vectors of the VE. Because it’s an array of 12 spheres around one central sphere, we can refer to the VE’s geometry as a 12-around-1 system. We can then consider this system when we examine the cosmometric relationships of 12-based systems such as the 12-tone music scale, the astrological zodiac, and the Sectors of Human Concern. (See also this figure from Fuller's Synergetics)

 

 

4 Hexagonal Planes

The VE also has the attribute of consisting of four hexagons symmetrically arrayed in four planes. As can be seen in the illustration below, there is one at the equator or horizon plane (red), one encircling the whole VE as if being viewed from directly above (blue), and two at left and right-tilting angles (green and purple). They are all 60°s from each other, and the angles they define are exactly the same as those of the faces of a tetrahedron. According to Fuller, this is the zero-tetrahedron, wherein the tetrahedron’s faces have all converged simultaneously on its center point. (It is also significant to note that the 8 triangular faces of the VE symmetrically match the 8 triangular faces of a star tetrahedron as well, this being a polar-balanced geometry of the tetrahedron’s most basic structural form; see the Tetrahedron page for more on this).

It is because the VE has these four hexagonal planes defining its spatial coordinates (and therefore, too, the IVM) that Fuller says that the foundation of the cosmic geometry is actually 4-dimensional, as opposed to the conventional 3-dimensional 90° X,Y,Z coordinate system historically assumed to be fundamental.

 

The Spherical VE or Genesa Crystal

It is to the symmetrical arrangement of these four hexagonal planes that we align the four phi double spiral field patterns in the basic model of cosmometry. In essence, the points of these hexagons all touch the surface of a sphere, and the phi double spiral boundaries define in the simplest manner the great-circle vectors of a spherical VE. This form, pictured below, is also known as the Genesa Crystal, and is purported to possess the property of balancing and cleansing the energy of the environment surrounding it for a distance of 2 miles when using a 16” diameter model. (See this link for more information on the Genesa Crystal, and this video of one inhabiting the center of the garden at the Perelandra Center for Nature Research in Virginia, USA). In essence, this simple form, even when built solely of copper or brass strips or tubing, sets up a resonance with the underlying structure of the Unified Field, thus creating an island of coherence is a sea of naturally occurring “chaos,” amplifying the equilibrium state throughout its surrounding local field.


4 Phi Double Spirals (red, blue, green, purple), VE and Torus

 

The VE’s Relationship to the Cube and Octahedron

In the terminology of basic geometry, the form that the VE defines as a solid is called a cuboctahedron (pronounced “cube-octahedron”). As is evident from its name, this form has a symmetrical relationship to both the cube and the octahedron, wherein the six square faces of the VE are symmetrical to the faces of a cube, and the eight triangular faces of the VE are symmetrical to the faces of an octahedron. Another way of seeing this is that the structures of both a cube and an octahedron can be “wrapped” around a VE:

This will be significant when we explore in the next section the dynamic nature of the VE’s ability to contract and expand and transfer energy and information seamlessly throughout the entire Unified Field across all scales instantaneously.

 

The Jitterbug

So far we have looked at the VE in its static state (or more correctly, its ultimate dynamic equilibrium zero state). In other words, we’ve looked at the form in its state of perfect symmetry. What is also quite remarkable about the VE is that, given it has six square faces and that squares are inherently non-structural (only triangles are structurally stable), the VE has the ability to “collapse” inward, drawing the twelve outer points symmetrically towards its center point. As it does so it goes from its state of perfect equilibrium (the zero-phase) into a dynamic “spin” that can contract in both clockwise and counterclockwise directions. When contracted and expanded alternating in both directions, it exhibits a dynamic “pumping” action that Fuller called the Jitterbug (after the dance of the 1930’s that was popular at the time he was exploring this phenomenon).


Magic 9

 

Numbers 4, 9 & 13

Daoist creation myth

There was something featureless yet complete, born before heaven and earth; Silent – amorphous – it stood alone and unchanging. We may regard it as the mother of heaven and earth. Not knowing its name, I style it the "Way."

The Way gave birth to unity, Unity gave birth to duality, Duality gave birth to trinity, Trinity gave birth to the myriad creatures. The myriad creatures bear yin on their back and embrace yang in their bosoms. They neutralize these vapors and thereby achieve harmony. (tr. Mair 1990:9) - Daodejing, 4th century BCE

Chinese dragon

The number nine is special in China as it is seen as number of the heaven, and Chinese dragons are frequently connected with it. For example, a Chinese dragon is normally described in terms of nine attributes and usually has 117 (9x13) scales - 81 (9x9) Yang and 36 (9x4) Yin.

Chinese dragon


 

The Mystery Behind Numbers 3, 6, and 9 Revealed

 “If you knew the magnificence of the three, six and nine, you would have a key to the universe.” – Nikola Tesla

In vortex math (the science of torus anatomy) there is a pattern that repeats itself: 1, 2, 4, 8, 7, and 5, and so on 1, 2, 4, 8, 7, 5, 1, 2, 4, 8, 7, 5, 1, 2, 4…

You’ve probably noticed that 3, 6 and 9 are not in this pattern.

Here’s how it works:

Start with 1, doubled it is 2; 2 doubled is 4; 4 doubled is 8; 8 doubled is 16 which means 1 + 6 and that equals to 7; 16 doubled is 32 resulting in 3 + 2 equals 5 (you can do 7 doubled if you want to which you would get 14 resulting in 5); 32 doubled is 64 (5 doubled is 10) resulting in total of 1; We can continue for as much as we want but the pattern will remain the same: 1, 2, 4, 8, 7, 5, 1, 2…

You can also start with 1 and go backwards but we still get the same pattern just backwards: for example, half of one is 0.5 (0+5) equals 5. Half of 5 is 2.5 (2+5) equals 7 etc.

One thing is more than evident, the number 3, 6 and 9 are nowhere in this pattern, it’s like they’re beyond it.

If you start doubling these you’ll notice something strange as well. 3 doubled is 6; 6 doubled is 12 which would result in 3; once again we don’t see the number 9 here either! It’s like 9 is beyond, completely free from both patterns.

Start doubling the number 9 and you will notice something magnificent as well – it will always result in 9: 18, 36, 72, 144, 288, 576…

These 2 sides are governed by the numbers 3 and 6. The number 3 governs 1, 2, and 4 while the number 6 governs 8, 7, and 5. Looking at the pattern more closely it becomes even more perplexing. 1 + 2 = 3; 2 + 4 = 6; 4 + 8 = 3; 8 + 7 = 6; 7 + 5 = 3; 5 + 1 = 6; 1 + 2 = 3 and so on.

On the higher scale this same pattern is actually 3, 6, 3, 6, 3, 6…

But what’s even more peculiar both these sides, 3 and 6, are governed by the number 9, which is simply spectacular.

If you look at the patterns of 3 and 6 you see that 3 + 6 equals 9, 6 + 3 equals 9, and all the numbers together equal 9, both ways excluding and including 3 and 6!

This means that the number 9 represents a unity of both sides.

 




 

Zlatni rez

Nautilus - zlatni rez

Zlatni rez je kompozicijski zakon u kojem se manji dio prema većem odnosi kao veći dio prema ukupnom.

 

Gradevna struktura svemira

Torus

Priroda u svojoj osnovi djeluje po istom obrascu na mikro i makro nivou. Jedan osnovni oblik takvog prožimanja je torus. To je energetski vrtlog i osnovna jedinica Matrice u kreaciji i održavanju života kao takvog. Ova energetska dinamičnost izgledom podsjeća na krafnu čime neprekidno održava energiju u cirkulaciji. Ovakav oblik možemo prepoznati kod atoma, stanica, živih organizama, tornada, planeta, galaksija i svemira u potpunosti.

Znanstvenici poput Arthura Younga svoj profesionalni rad koristili su da bi objasnili torus kao jedini energetski uzorak koji može biti samoodrživ, te se sastoji od iste supstance kao i njegova okolina (vir, tornado ili vatreni vitlac). Kako je i magnetska sila u obliku torusa, onda je i čovjekovo energetsko polje torus. ‘Tori’ je također učestao energetski uzorak, s jednim torusom usmjerenim prema sjeveru, a drugim prema jugu – taj primjer najbolje vidimo kod Coriolisove sile.

Vektorski ekvilibrijum

Struktura koja se nalazi kao pozadina torusa je vektorski ekvilibrijum. To je prirodni nacrt pomoću kojeg se formiraju energetske strukture u tvari. To je jedini geometrijski oblik gdje su sve sile podjednake i balansirane. Svaki od vektora je podjednake dužine i snage, a predstavljaju energiju privlačenja i odbijanja, poput magneta. Ova formacija nije okom vidljiva jer je geometrijski u apsolutnoj usklađenosti.

Phi spirala

Konstantni napredak i rast moguć je jedino planom, bilo smišljenim ili mehaničkim, a upravo takvo poravnavanje materije na svakoj razini omogućava Phi spirala. Ona formira sve, od najsitnije materije do galaksija, a dvostruka Phi spirala suprotstavlja dvije Phi spirale u različitim smjerovima. Primjere nalazimo svugdje, od ljudskog oka do češera.

Savršena struktura u svemiru izgleda otprilike ovako (fuzija tri navedene strukture):

Fraktali

Fraktali su pojednostavljeno – ponavljanje istog obrasca na svim razinama, koji daju jednaku razinu detalja neovisno o razlučivosti koju koristimo. Primjeri su planine, rijeke, biljke, munje itd.

‘Kako gore, tako dolje’

Ukoliko organizam promatramo prema definiciji – svaka živuća tvar koja je sposobna odgovoriti na podražaj, reprodukciju, rast i razvoj te održavanje homeostaze kao stabilna cjelina, mogli bi gotovo sve, od amebe do planeta ili svemira, smatrati živim organizmom. Stavke organizma bi sačinjavalo trojstvo: Elektromagnetsko polje + Rezonantne frekvencijske linije + Svijest, dok bi planeti rezonantnom frekvencijom (Schumanovom rezonancom) utjecali na vlastitu floru i faunu.

Zlatni rez

Zlatni rez je kompozicijski zakon u kojem se manji dio prema većem odnosi kao veći dio prema ukupnom, uz način podjele neke vrijednosti s faktorom od približno 1,6.

Fibonnacijev niz

Fibonaccijev niz se često povezuje i sa brojem zlatnog reza fi (phi, φ), ili brojem kojeg mnogi zovu i “Božanskim omjerom”. Uzmemo li jedan dio Fibonaccijevog niza, 2, 3, 5, 8, te podijelimo li svaki slijedeći broj s njemu prethodnim, dobit ćemo uvijek broj približan broju 1,618(3/2=1,5; 5/3=1,66; 8/5=1,6). Broj 1,618 jeste broj fi. Odnosi mjera kod biljaka, životinja i ljudi, sa zapanjujućom preciznošću se približava broju fi.

Građevna struktura svemira - Ratko Martinović

Phi VBM Tori Array

 

Big Bang

Mnogi fizičari danas smatraju da je svemir nastao ni iz čega, u "velikom prasku", što pak znači da se ništa na neki način pretvorilo u nešto.

Kako je to moguće?

Georges Henri Joseph Édouard Lemaître was a Belgian Roman Catholic priest, astronomer, and professor of physics at the Catholic University of Leuven. He proposed on theoretical grounds that the universe is expanding, which was observationally confirmed soon afterwards by Edwin Hubble. He was the first to derive what is now known as Hubble's law, or the Hubble-Lemaître law, and made the first estimation of what is now called the Hubble constant, which he published in 1927, two years before Hubble's article. Lemaître also proposed what became known as the "Big Bang theory" of the creation of the universe.

Religious and philosophical interpretations

As a description of the origin of the universe, the Big Bang has significant bearing on religion and philosophy. As a result, it has become one of the liveliest areas in the discourse between science and religion. Some believe the Big Bang implies a creator, and some see its mention in their holy books, while others argue that Big Bang cosmology makes the notion of a creator superfluous.

Religious and philosophical interpretations

 

Kvantna jednadžba predviđa svemir bez početka

The universe may have existed forever, according to a new model that applies quantum correction terms to complement Einstein's theory of general relativity. The model may also account for dark matter and dark energy, resolving multiple problems at once.

No Big Bang? Quantum equation predicts universe has no beginning

 

Neprestano stvaranje ili Veliki prasak

Ta ideja o "neprestanom stvaranju" izravno je suprotna danas Opće prihvaćenoj "teoriji o velikom prasku", koja se zapravo nikad nije sviđala većini znanstvenika, ali se čini da ipak zadovoljava one religiozne skupine, koje vjeruju da je "stvaranje" doslovce bilo prvo i najvažnije djelo Boga.

Koncept sveprisutnih eterskih slojeva iz kojih nastaje materija, zapravo potječe iz drevne hinduske metafizike, ali je do kraja devetnaestog stoljeća dobivao na znanstvenom kredibilitetu, a tada ga je navodno osporio poznati Michelson-Morley eksperiment 1887. Međutim, taj je eksperiment imao velikih nedostataka, jer je polazio od pretpostavke da je eter nešto materijalno, a ne preteča same materije i energije. Danas, premda ortodoksna znanost možda ne priznaje etersku teoriju, uopće joj ne smeta da se svakodnevno njome koristi za objašnjavanje širenja radio i televizijskih valova.

Astrofizika još uvijek pokušava pronaći pravi kozmološki model našeg svemira. Nedavna otkrića pokazuju ne samo da se svemir širi, nego da se njegova ekspanzija ubrzava. Upitno je da li se svemir doista širi. Brzina širenja je izmjerena ali se ne može i observabilno potvrditi. Uzrok eventualnog ubrzanog širenja je takozvana tamna energija, zasad nepoznati oblik energije. Skoro jedini podatak koji o tamnoj energiji pouzdano znamo jest da obuhvaća otprilike tri četvrtine ukupne mase-energije svemira. Radi se, stoga, o jednoj od najvećih zagonetki današnje fizike.

 

Oblik i veličina Svemira


Oblik Svemira

Otvoreno pitanje u kosmologiji je oblik Svemira, ni zakrivljenost ni topologija nam još nisu poznate.

Veličina Svemira

Promjer primjetnog Svemira je oko 93 milijardi svjetlosnih godina, kolika je veličina cijelog svemira?

Index